RECONCILIATION ACTION PLAN

Keystone Civil Reconciliation

reconciliation image
RECONCILIATION PLAN

Keystone Civil is committed to strengthening relationships with Aboriginal and Torres Strait Islander peoples, communities and businesses, and creating meaningful opportunities through the work we deliver.

Our Reflect Reconciliation Action Plan (RAP) was endorsed in 2025 and provides a framework for building our understanding, strengthening relationships and embedding reconciliation across our business.

Through our RAP, we are focused on:

  • Building respectful and ongoing relationships with Aboriginal and Torres Strait Islander communities and organisations.
  • Increasing engagement with Aboriginal-owned businesses and suppliers across our projects.
  • Creating employment, training and development opportunities for Aboriginal and Torres Strait Islander people.
  • Building cultural awareness and capability across our workforce and leadership team.
  • Recognising and participating in significant events including National Reconciliation Week and NAIDOC Week.
  • Working with specialist First Nations advisors to help guide our reconciliation journey and ensure our actions are meaningful and informed.
Reconciliation is an ongoing commitment for Keystone. We continue to look for opportunities to turn our commitments into practical outcomes across our projects, partnerships and workplaces.
RECONCILIATION EXPERIENCE

Salty One  x  Keystone Civil – Connecting on Country

Wadawurrung Country, Point Addis

Full Story

Lowell Hunter - Creative Sand Artist

Lowell Hunter is a proud Nyul Nyul Saltwater man from the Kimberley’s in Western Australia, who grew up on Gunditjmara Country in Warrnambool, and now lives on Wathaurong Country, Geelong. Although far apart, each of these special places have kept Lowell strongly connected to the ocean his whole life.
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Lowell is a multi award winning artist who creates sand art and uses drone photography to capture the scale of his works within breathtaking landscapes, which all started simply, as a way for him to get out and connect with culture, Country and sea.
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Using only his feet, Lowell carves stories into the sand using the same foot movements he was taught through Traditional dance movements his people have practiced for countless generations. Lowell’s artworks tell stories of family, identity and connection.
A barefoot man in a brown shirt crouching on sand, holding his hands close to smoke rising from the ground, with two partially visible people standing nearby.
Close-up of a large drawing of an elephant made in the sand on a beach, with ocean waves in the background and a person partially visible on the left side.
Person crouching on sandy ground, fanning green leafy branches to ignite or maintain a small smoky fire.
Man with curly hair and beard sitting cross-legged on the sand near the ocean, holding green seaweed in one hand.
Ocean view with gentle waves approaching a rocky shoreline covered in shrubs, and red cliffs in the distance under a partly cloudy sky.
Man walking barefoot on a sandy beach near rocky cliffs, wearing a black T-shirt and patterned shorts, looking down at the sand.
A person standing next to large, intricate sand art on a sandy beach, featuring concentric and wavy circular patterns connected by lines extending upward near a rocky edge.
Group of nine people standing in a circle on a sandy beach with reddish cliffs in the background, some with their hands on hips.
Man with short brown hair and beard wearing a rust-colored button-up shirt over a black t-shirt with a colorful geometric triangle logo, standing outdoors with a blurred rocky background and a partially visible woman on the right.
Aerial view of a long sandy beach bordered by crashing ocean waves on the left and dense green and brown shrubbery and cliffs on the right under a cloudy sky.